Review: Heartbeat's Bio-Version EUGENE ONEGIN Dazzles under Director/Designer Dustin Wills
If you cross the traditional EUGENE ONEGIN by Tchaikovsky (great even when overfilled with drama and, yes, music music music, with Konstantin Shilovsky’s co-libretto) with a touch of Ken Russell’s 1971 “The Music Lovers” (the overwrought bio-pic of Tchaikovsky with Richard Chamberlin and Glenda Jackson as his patron and wife that took the composer out of the closet for anyone who didn’t know he was there), and you might have an idea of what Heartbeat Opera’s version of the opera-cum-composer’s tale is like.
Broadway Stage and Screen- A Spring 2024 Watch Guide
A new Broadway season has arrived at last, full of exciting new shows and revivals of beloved classics. While many of them are original concepts or based on plays, 10 are already films that you can watch from home. If you are seeing any of the below productions in 2024, check out how you can study up beforehand or unpack afterwards!
Review: TINA ~ THE TINA TURNER MUSICAL At ASU Gammage
TINA ~ THE TINA TURNER MUSICAL ~ At show's end, with the sound of Tina's music still echoing in one's mind, the most that may be remembered is why there wasn't more of the explosive high energy and volume of a live concert. At ASU Gammage through October 15.
Friends and Colleagues Celebrate the Life of Murray Melvin
On Sunday 13 August friends, colleagues and loved ones came together to raise a glass and celebrate the life of actor, archivist and author Murray Melvin. The event was organised by Murray’s close friend and mentee, Artistic Director Kerry Kyriacos Michael. The day consisted of performances, tributes and speeches.
LA's Maraschino Shares New Single 'Smoke & Mirrors'
There’s a cinematic quality to Maraschino's songs—equal parts Surrealism, Derek Jarman, Ken Russell (not to mention those Madonna classics), and its own meta-universe of characters and situations seen through eyes that have seen it all. The lyrics drip with equal parts honey and venom.
BWW Review: THE WHO'S TOMMY at Titusville Playhouse
With one of the more memorable rock and roll scores of the 20th century, THE WHO’S TOMMY has been entertaining, exciting, confounding, and stimulating listeners for over 50 years. And with its current production of this iconic score (now full-fledged musical), Titusville Playhouse thrills, challenges and delivers an electric and energetic two hours of theatrical magic that simply rocks.
BWW Review: KEMP - My Best Life Is Yet To Come
This documentary film, created and directed by Edoardo Gabbriellini, Italy, 2019, 64m, was presented on Dance Films Association and Film at Lincoln Center and premiered on Sunday, July 19, 2020. It is a well-made biopic about a choreographer/actor/dancer/mime/burlesque performer, Lindsay Kemp. At the age of 80, Kemp reflects on his life and career and states his views along with his recollections. We are treated to interviews and film clips from his career.
BWW Feature: BROADWAY VS. HOLLYWOOD Parte 3° I Film tratti dai Musical Di Sir Andrew Lloyd Webber
Chi non ha in casa almeno un cd in cui non ci sia una canzone di Andrew Lloyd Weber: che sia un original cast recording, una compilation o semplicemente una cover, le composizioni di Lloyd Weber sono tra le più conosciute canzoni di musical al mondo. Tutti i più grandi interpreti si sono prima o poi cimentati in una delle sue composizioni tanto che sarebbe impossibile citarli tutti. Se i musical di Sir Andrew sono tra i più visti al mondo e detengono record invidiabili di durata in cartellone sia a Broadway che nel West End, altrettanto non si può dire delle versioni cinematografiche che non sempre sono ben riuscite. Cerchiamo di analizzarne il perché.
Menier Chocolate Factory Announces Spring Season For 2020
With the critically acclaimed production of The Boy Friend currently running at the theatre, the Menier Chocolate Factory today announce the forthcoming two productions a?" the European première of Paula Vogel's Tony Award-winning play Indecent, directed by Rebecca Taichman; and Alan Bennett's Habeas Corpus directed by Patrick Marber, who returns to the Menier following his smash-hit production of Tom Stoppard's Travesties.